I've Got My Own Hell to Raise by Bettye LaVette was released September 27, 2005 on the label ANTI-. The album comprises covers of songs written by other female artists including Aimee Mann, Joan Armatrading, Sinéad O'Connor, Rosanne Cash, Dolly Parton and Fiona Apple, whose song "Sleep to Dream" contains the album's title within its lyrics. I've Got My Own Hell to Raise was chosen as one of Amazon.com's Top 100 Editor's Picks of 2005.
*Bettye LaVette - vocals
*Chris Bruce - acoustic guitar and electric guitar
*Doyle Bramhall II - electric guitar
*Lisa Coleman - piano, organ, and Wurlitzer electric piano
*Paul Bryan - electric bass
*Earl Harvin - drums
*David Piltch - upright bass
*Niki Harris and Valerie Watson - backing vocals
*Joe Henry - producer
*Andy Kaulkin - executive producer
*S. Husky Höskulds - engineer, mixing
*Gavin Lurssen - mastering
Category:Bettye LaVette albums
Category:ANTI- albumsThis text has been derived from I've Got My Own Hell to Raise on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
Bettye LaVette (born Betty Haskins on January 29, 1946) is an American soul singer-songwriter who recorded her first record at sixteen, but achieved only intermittent fame until 2005, with her album, I've Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music, which has prevented her from being easily marketed.
Life and career
LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents' living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, "My Man - He's a Lovin' Man", with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding.
She next hit the charts with “Let Me Down Easy” on Calla in 1965. It is considered by many to be one of the greatest soul recordings of all time. This led to a brief stint with The James Brown Revue.
After recording several 45 rpm singles for local Detroit labels, in 1969 Bettye signed to the Silver Fox label. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers.
In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers. A publicity tour was booked, but at the last minute Bettye was called and told that they had cancelled the project, and asked for a return of the airplane tickets. She was never given an explanation and the devastation stayed with her for years to come. One single from the sessions. "Your Turn To Cry", was released, however, and ranks high on the lists of many deep soul collectors.
The mid 70s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash "Doin’ The Best That I Can". In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP, titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40.
She briefly gave up recording for a six year run in the Broadway smash Bubbling Brown Sugar, appearing alongside both Honi Coles and Cab Calloway.
After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he requested to look for the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back. In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label.
At the same time, Let Me Down Easy-Live In Concert, was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Grammy Award winner Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for "Comeback Blues Album of the Year".
After being signed to The Rosebud Agency for live bookings, Rosebud president Mike Kappus brought her to the attention of Anti- Records president, Andy Kaulkin. Upon seeing Bettye perform, Kaulkin signed her to a three record deal. For the first project, he paired her with Grammy Award winning producer Joe Henry, and suggested an album of songs written entirely by women. The resulting CD, "I've Got My Own Hell to Raise", was on many critics’ “Best of 2005” lists. The title is taken from the lyrics of Fiona Apple's 1996 hit "Sleep to Dream", which is covered on the album. (Other notable songwriters on the album were Aimee Mann, Sinéad O'Connor, Lucinda Williams, Joan Armatrading, and Dolly Parton.) The album was released by ANTI- Records and produced by Joe Henry.
Bettye LaVette Wikipedia.jpgthumbLaVette performing in Leuven, Belgium, in 2006
In 2006, capitalizing on the success of I've Got My Own Hell To Raise and the reviews of her live shows,Child of the Seventies was reissued by Rhino Handmade with some previously unreleased tracks, which was met with critical acclaim. Varese Sarabande then issued Take Another Little Piece Of My Heart, a CD containing all of the songs that she cut for Silver Fox and SSS International in 1969 and 1970. The CD included 3 unreleased tracks as well as two duets with Hank Ballard.
In 2006, she received a well-deserved “Pioneer Award” from The Rhythm and Blues Foundation.
Her 2007 album, The Scene of the Crime, was mostly recorded at FAME Studios in Muscle Shoals, Alabama with alt-rockers Drive-By Truckers. On it, she transforms country and rock songs written by Willie Nelson, Elton John, and Don Henley, among others, into devastating mini-dramas. The title of the disc references the now infamous Child of the Seventies LP. The Scene of the Crime was nominated for a Grammy Award for "Best Contemporary Blues Album" and landed on numerous "Best of 2007" lists. She recorded Child of the Seventies not at FAME but at Muscle Shoals Sound Studios, which ceased operation in 2005. LaVette talks about her experiences at Muscle Shoals Sound and FAME in an interview conducted by Edd Hurt in September 2007. Rock/alt-country outfit Drive-By Truckers served as the back-up band for the album. Drive-By Truckers frontman, Patterson Hood, produced the album alongside LaVette. The album also features one song co-written by LaVette and Patterson Hood.
In 2008, she received a BMA (Blues Music Award) for “Best Contemporary Female Blues Singer”. 2008 also saw Reel Music re-issue on CD her Motown LP, Tell Me A Lie. The CD contains the original cover design that was not used when the album was released.
Bettye lavette.jpgthumb230pxrightLaVette, live at Massey Hall in Toronto
In December 2008 at the Kennedy Center Honors, LaVette delivered a rendition of 1973's "Love, Reign o'er Me" in tribute to Roger Daltrey and Pete Townshend of The Who, who were among the year's honorees. The performance was widely considered one of the event's highlights.
On January 18, 2009, she performed a duet at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial on Sam Cooke's 1964 song "A Change Is Gonna Come" with Jon Bon Jovi.
In April 2009 she shared the stage with Sir Paul McCartney & Ringo Starr at Radio City Music Hall for the David Lynch Foundation's "Change Begins Within" benefit concert promoting teaching Transcendental Meditation to children in inner city schools.
2009 saw Sundazed release the album on CD, Do Your Duty, which consists of her 11 solo tracks cut for Silver Fox and SSS International.
In June 2009 a 6 song EP, Change Is Gonna Come Sessions, was released as a download only on iTunes, Amazon, Zune, and Rhapsody.
In 2010, LaVette released Interpretations: The British Rock Songbook, which included unique arrangements and performances of classic songs by The Beatles, Rolling Stones, Animals, Pink Floyd, and more. Included is the complete, un-edited version of her Kennedy Center Honors performance of the The Who's "Love Reign O'er Me." The CD was critically acclaimed and nominated for a Grammy Award for Best Contemporary Blues Album.
She has appeared on National Public Radio's Mountain Stage, World Cafe, All Things Considered and Wait Wait... Don't Tell Me!. She has appeared in a Mississippi Public Broadcasting series, Blues Divas, and is in a film of the same name, both produced by award winning film maker, Robert Mugge. She has also appeared on Late Night with David Letterman, The Conan O'Brien Show, The Late Late Show with Craig Ferguson, The Tonight Show with Jay Leno, Austin City Limits, "The Today Show, "Good Morning America", and "The Artist's Den".
LaVette is married to Kevin Kiley, a recorded music and antiques dealer who is also a singer and musician. They live in West Orange, New Jersey.La Gorce, Tammy. , The New York Times, February 19, 2006. Accessed April 16, 2008. "After trying to find joy everywhere from Memphis to New York City, Ms. LaVette, a ragged-voiced veteran soul singer, fades out with the pronouncement: So I went to West Orange."
LaVette also joined the 9th and 10th annual Independent Music Awards judging panel to assist independent musicians' careers.
* Tell Me a Lie - Motown (1982) (LP only) (CD Released on Reel Music, May 2008,
* Not Gonna Happen Twice - Motor City (1990) (Import CD)
* Nearer to You: The SSS Recordings - Charly (1990) (Import CD)
* The Very Best of the Motor City Recordings - Motor City (1996) (CD)
* Bluesoul Belles the Complete Calla Recordings - West Side (1999) (Import CD), EMI INT'L (2005) (Import CD)
* Souvenirs - (Original previously unreleased Atco LP from 1973), Art & Soul (2000) (Import CD)
* Bettye LaVette: Let Me Down Easy In Concert - Munich (2000) (Import CD)
* Let Me Down Easy in Concert - Munich (2001)
* A Woman Like Me - Blues Express (2003) (CD)
* Vanthology: A Tribute to Van Morrison (Various Artists) - Evidence (2003) (CD)
:*Track: "Real Real Gone"
* I've Got My Own Hell to Raise - ANTI- (2005) (CD), Dbk Works (LP)
* Get in the Groove - Live (Various Artists) - Norton (2005) (CD)
:*Tracks: "Night Time Is the Right Time", "Tailfeather Finale"
* The Complete Cala, Port and Roulette Recordings with Carol Fran (2005) (Stateside Records)
*Take Another Little Piece Of My Heart: The Classic Late '60s Memphis Recordings with The Dixie Flyers - Varese Sarabande (2006) (CD)
*Child of the Seventies: The Complete Atlantic/Atco Recordings - Rhino Handmade (2006) (CD)
*Do Your Duty: The Complete Silver Fox/SSS Recordings - Sundazed (2006) (LP)
*What's Going On - The Dirty Dozen Brass Band - Shoutfactory (2006) (CD)
:*Track: "What's Happening Brother"
*Song of America - Various Artists - Thirty Tigers (2007) (CD)
:*Track: "Streets of Philadelphia"
* The Scene of the Crime - ANTI- (2007) (CD) (LP)
*Do Your Duty: The Complete Silver Fox/SSS Recordings - Sundazed (2009) (CD)
* "A Change is Gonna Come Sessions" - Anti- (2009) (Digital download only EP)
* Interpretations: The British Rock Songbook - ANTI- (2010) (CD)
* "My Man - He's a Lovin' Man"/"Shut Your Mouth" - Atlantic 2160 (1962) (No 7 R&B)
* "You'll Never Change"/"Here I Am" - Atlantic 2198 (1963)
* "Witchcraft in the Air"/"You Killed the Love" - LuPine 123 (1963)
* "(Happiness Will Cost You) One Thin Dime" - Scepter (1964) (unreleased)
* "Let Me Down Easy"/"What I Don't Know (Won't Hurt Me)" Calla 102 (1965) (No 20 R&B)
* "I Feel Good All Over"/"Only Your Love Can Save Me" - Calla 104 (1965)
* "Cry Me a River" - Calla (1965) (unreleased)
* "She Don't Love You Like I Love You" - Calla (1965) (unreleased)
* "I'm Just a Fool for You"/"Stand Up Like a Man" - Calla 106 (1966)
* "I'm Holding On"/"Tears in Vain" - Big Wheel (1969, 1966)
* "Almost"/"Love Makes the World Go Round" - Karen 1540 (1968)
* "Get Away"/"What Condition My Condition Is In" - Karen 1544 (1968)
* "A Little Help from My Friends"/"Hey Love" - Karen 1545 (1969)
* "Let Me Down Easy"/"Ticket to the Moon" - Karen 1548 (1969)
* "He Made a Woman Out of Me"/"Nearer to You" - Silver Fox 17 (1969) (No 25 R&B)
* "Do Your Duty"/Love's Made a Fool Out of Me" - Silver Fox 21 (1970) (No 38 R&B)
* "Games People Play"/"My Train's Comin' In" - Silver Fox 24 (1970)
* "Piece of My Heart"/"At the Mercy of a Man" - SSS International 839 (1970)
* "He Made a Woman Out of Me"/"My Train's Coming In" - SSS Int'l 933 (1970)
* "Let's Go, Let's Go, Let's Go" (with Hank Ballard) - SSS International 946 (c. 1970)
* "Hello, Sunshine" (with Hank Ballard) - SSS International (c. 1970) (unreleased)
* "I'm in Love" - Silver Fox (1970) (unreleased)
* "We Got to Slip Around" - SSS International (c. 1970) (unreleased)
* "Easier to Say (Than Do)" - SSS International (c. 1970) (unreleased)
* "Never My Love"/"Stormy" - TCA 001 (1971)
* "Heart of Gold"/"You'll Wake Up Wiser" - Atco 6891 (1972)
* "Your Turn to Cry"/"Soul Tambourine" - Atco 6913 (1973)
* "Thank You for Loving Me"/"You Made a Believer Out of Me" - Epic 50143 (1975) (No 94 R&B)
* "Behind Closed Doors"/"You're a Man of Words, I'm a Woman of Action" - Epic 50177 (1975)
* "Feelings" - (1978) (unreleased)
* "Shoestring" - (1978) (unreleased)
* "Doin' the Best I Can Pt. 1"/"Doin' the Best I Can Pt. 2" - West End 1213 (1978)
* "Right in the Middle (Of Falling in Love)"/"You've Seen One You've Seen 'em All" - Motown 1532 (1982) (No 35 R&B)
* "I Can't Stop"/"Either Way We Lose" - Motown 1614 (1982)
* "Trance Dance Pt. 1"/"Trance Dance Pt. 2" - Street King (1984)
* "Not Gonna Happen Twice" - Motor City (1990) (UK only)
* "Damn Your Eyes"/"Out Cold" - Bar None (1997) (Cassette only)
ReferencesThis text has been derived from Bettye LaVette on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
"Ache has never sounded so funky. Weary, wise, defiant and vulnerable, Bettye's a force of nature... She's outdone herself on this one." -- Bonnie Raitt
"You've got a singer here who is willing to stretch and not content to live in the safety zone. Bettye Lavette's voice is the superb line that connects Lucinda Williams' Joy to Dolly Parton's Little Sparrow via numbers bu Sinead O'Connor and Joan Armatrading. These songs never sounded better and neither has one of R&B's greatest under-acknowledged vocalists." -- Elvis Costello